Two videos were shot for the song. The first, directed by Reid Long, features footage from the band’s concerts, as
The Black Keys returned to Coachella with a neighborly hello and operated essentially as they have many times before at
The presentation, too, is stunning. There are no fancy props on stage, but the band are enveloped on huge screens,
The presentation, too, is stunning. There are no fancy props on stage, but the band are enveloped on huge screens,
This was a phenomenal performance. Auerbach radiated energy and the the audience responded in kind. It was the perfect balance
The Black Keys returned to Coachella with a neighborly hello and operated essentially as they have many times before at
The production was bigger, with colorful graphics flashing on the huge screens around them, but the music remained rooted in
This is concert coverage at its best. Camera movement is kept to a minimum, shots are steady, rarely is focus
The presentation, too, is stunning. There are no fancy props on stage, but the band are enveloped on huge screens,
The presentation, too, is stunning. There are no fancy props on stage, but the band are enveloped on huge screens,
The music was terrific and the visuals were delightful. The many familiar favorites were played with inventiveness and spontaneity. Nothing
The album was written, recorded, and produced entirely by White in 2011. The first single from the album, “Love Interruption”,
“Gold on the Ceiling” is a song by American rock band The Black Keys. It is the third track from
Blunderbuss has its roots in White’s recordings with several artists, including Tom Jones. White was in contact with Wu-Tang Clan
Blunderbuss is the debut solo album by Jack White, released on April 23, 2012 through White’s own label Third Man
The presentation, too, is stunning. There are no fancy props on stage, but the band are enveloped on huge screens,